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HISTORIC AERIAL PHOTO OF AMBLER |
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| by Newton M. Howard | ||
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| This is believed to be Ambler's first aerial photo. Made in 1920 for Keasbey & Mattison Company by Internationally-known photographer William N. Jennings, it marked the start of aerials taken from an airplane. Used as the cover photo for their catalog, it was the first time an aerial photograph was used to illustrate an advertising piece. Details of K&M facilities have been strengthened by a commercial artist while subduing details of the town. Illustration from Collection of Newton M. Howard | ||
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They found that William Nicholson Jennings,
Internationally-known photographer, had made the aerial photo in 1920,
and that his studio was located in Philadelphia.
On meeting with Jennings, it was learned that he was well-known
for his accomplishments in both photography and science. He was born into a wealthy family in Yorkshire, England, in
1860. A change in
England's economic conditions caused his father to lose their woolen
mills in 1876, with the family coming to America several years later to
seek their fortunes in the New World. William Jennings, on arrival in Philadelphia, began
looking for employment in center city.
His search took him to John Wanamaker's store on Market Street.
He had been trained in stenography and typewriting in England,
and while Jennings was being interviewed for a stenographic position by
Wanamaker himself, a Remington typewriter salesman entered.
He attempted to sell his product for use in the store's offices.
Showing interest, Wanamaker stated that he had no one who could
operate a typewriter. Jennings
spoke up, asking permission to demonstrate the machine, impressing Wanamaker to such a
degree that he hired Jennings and gave the Remington salesman an order
for typewriters. Jennings
thus became John Wanamaker's first typist. A few years later, becoming interested in
photography, he experimented with photographing
lightning. It was he
who first photographed streaks of lightning, showing their true form,
rather than zigzag lines. His
collection of lightning photographs is today housed at the Franklin
Institute, of which he was a lifetime member. In 1889 he photographed the Johnstown Flood, using
equipment given him by George Eastman, founder of Eastman Kodak Company.
Around this time, he became fascinated with photography being
done from free-floating
balloons. Believing
he could improve upon the quality of these photographs, he approached a
balloonist, arranging to accompany him on his flights. The highlight of
his aerial photography career came on July 4th, 1893, when he was the
first person to successfully photograph Philadelphia from a
free-floating balloon. This
was the first city in the world to be photographed in such a fashion.
Boston had been photographed earlier, but from an anchored
balloon. Following his success in aerial photography, he was
contacted by steamship lines anxious to secure better photographs aboard
ships on the open sea. His
photographs showed a marked improvement in quality, with the result that
he crossed the Atlantic for the next six years, making photographs
aboard all the major liners, such as the Lusitania and Mauritania.
He was away for weeks at a time from his wife and three children
back in the United States. While working for the Canadian Pacific Steamship
Company, out of England, he followed with interest White Star Line's
activity in having the world's largest fleet of ocean-going passenger
steamships built at Belfast. Because
he had been away from home for some time, he purchased a ticket to New
York on the maiden voyage of one of these ships. It was called the
"Titanic" and was both fast and luxurious, as well as being
described as "unsinkable".
He looked forward to this adventure and his luggage was packed
long before the maiden voyage scheduled for April 10th of 1912, from
Southampton. He
planned to do much
photography aboard the ship and was in Southampton a week before its
departure. Here he was contacted by Charles Stokes, representative of
his employer, the Canadian Steamship Line, who asked him to stay in
England longer to do more shipboard photography aboard the Empress of
Britain. He was told that if he did not stay, he would lose his contract
with the Canadian Line William Nicholson Jennings died in 1946 after
having lived life to the fullest. It
was in 1949 that his son Ralph Jennings, with wife Lois, purchased a
home in Fort Washington where they raised two sons. It was Lois Jennings
who contributed much toward making this article possible.
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